LA DANZA DE LOS DIABLITOS
LA DANZA DE LOS DIABLITOS

BORUCA IS AN INDIGENOUS VILLAGE IN THE SOUTHERN PACIFIC OF COSTA RICA, LOCATED AMONG THE TALAMANCA MOUNTAINS.

THE INDIGENOUS FESTIVAL CELEBRATES THE BRUNKA TRIBE’S VICTORY OVER THE SPANISH CONQUISTADORS .

EL TORO
EL TORO

REPRESENTING THE INDIGENOUS POPULATION IN THE CHOREOGRAPHY OF THE “DANZA “ DANCE , THE MASK USUALLY FEATURE A DEMONIC VISAGE, BUT ALSO CAN DEPICT PREDATORY OR MYTHOLOGICALLY SYMBOLIC FAUNA , AN ANCESTOR OR AN OGRE/MONSTER. DURING THE 3 DAY ANNUAL CEREMONY LEAD BY THE VILLAGE ELDERS “LOS ARREADORES” . THESE PERSONAGES CONFRONT A SINGLE ANTAGONIST IN THIS EVENT’S CHOREGRAPHY- THE “TORO” BULL WHICH EMBODIES THE INVADING EUROPEAN IN THIS CASE THE SPANISH AND ALL OF THE FOREIGN ELEMENTS SUBSEQUENTLY IMPOSED ON THE BRUNKA

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 HERE IS A PORTRAIT OF KAMEL GONZALES , ARTIST, SCULPTOR AND PAINTER. HE IS THE SON OF THE GREAT ARTIST DON ISMAËL GONZALES WHO’S LEGACY IS ABUNDANT AND THE ONLY LIVING PERSON EVER BEEN DECLARED A “CULTURAL PATRON OF THE COUNTRY”. IN THE EARLY 70s ,

HERE IS A PORTRAIT OF KAMEL GONZALES , ARTIST, SCULPTOR AND PAINTER. HE IS THE SON OF THE GREAT ARTIST DON ISMAËL GONZALES WHO’S LEGACY IS ABUNDANT AND THE ONLY LIVING PERSON EVER BEEN DECLARED A “CULTURAL PATRON OF THE COUNTRY”. IN THE EARLY 70s , HE REVIVED MASK CARVING, AS IT WAS A DYING ART WITH JUST A FEW COMMUNITY MEMBERS STILL CARVING MASKS FOR THE FESTIVAL “ LA DANZA DE LOS DIABLITOS”.

LA DANZA DE LOS DIABLITOS
EL TORO
IMG_4519.jpg
IMG_4348.jpg
IMG_4338.jpg
IMG_4586.jpg
IMG_4336.jpg
IMG_4454.jpg
FullSizeRender-4.jpg
IMG_4395.jpg
IMG_4722.jpg
 HERE IS A PORTRAIT OF KAMEL GONZALES , ARTIST, SCULPTOR AND PAINTER. HE IS THE SON OF THE GREAT ARTIST DON ISMAËL GONZALES WHO’S LEGACY IS ABUNDANT AND THE ONLY LIVING PERSON EVER BEEN DECLARED A “CULTURAL PATRON OF THE COUNTRY”. IN THE EARLY 70s ,
LA DANZA DE LOS DIABLITOS

BORUCA IS AN INDIGENOUS VILLAGE IN THE SOUTHERN PACIFIC OF COSTA RICA, LOCATED AMONG THE TALAMANCA MOUNTAINS.

THE INDIGENOUS FESTIVAL CELEBRATES THE BRUNKA TRIBE’S VICTORY OVER THE SPANISH CONQUISTADORS .

EL TORO

REPRESENTING THE INDIGENOUS POPULATION IN THE CHOREOGRAPHY OF THE “DANZA “ DANCE , THE MASK USUALLY FEATURE A DEMONIC VISAGE, BUT ALSO CAN DEPICT PREDATORY OR MYTHOLOGICALLY SYMBOLIC FAUNA , AN ANCESTOR OR AN OGRE/MONSTER. DURING THE 3 DAY ANNUAL CEREMONY LEAD BY THE VILLAGE ELDERS “LOS ARREADORES” . THESE PERSONAGES CONFRONT A SINGLE ANTAGONIST IN THIS EVENT’S CHOREGRAPHY- THE “TORO” BULL WHICH EMBODIES THE INVADING EUROPEAN IN THIS CASE THE SPANISH AND ALL OF THE FOREIGN ELEMENTS SUBSEQUENTLY IMPOSED ON THE BRUNKA

HERE IS A PORTRAIT OF KAMEL GONZALES , ARTIST, SCULPTOR AND PAINTER. HE IS THE SON OF THE GREAT ARTIST DON ISMAËL GONZALES WHO’S LEGACY IS ABUNDANT AND THE ONLY LIVING PERSON EVER BEEN DECLARED A “CULTURAL PATRON OF THE COUNTRY”. IN THE EARLY 70s , HE REVIVED MASK CARVING, AS IT WAS A DYING ART WITH JUST A FEW COMMUNITY MEMBERS STILL CARVING MASKS FOR THE FESTIVAL “ LA DANZA DE LOS DIABLITOS”.

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